News & Opinion

2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1967
1966


Pope Leo XIV greets Patriarch Bartholome of Constantinople during an audience with ecumenical guests on the day after the inaugural Mass of of his papacy
Pope reaffirms commitment to ecumenical, interreligious dialogue (19 May 2025)

A view of the crowd gathered for the funeral of Pope Francis. The photo was taken from among the ecumenical delegation to the left of the altar
Through papal funeral, Christ proclaimed living Saviour for all (12 May 2025)

A Statement from the Director of the Anglican Centre in Rome and the Archbishop of Canterbury's Representative to the Holy See
A Statement from the Director of the Anglican Centre in Rome and the Archbishop of Canterbury’s Representative to the Holy See (9 May 2025)

Pope Leo XIV appears on the loggia in St. Peter's Basilica after his election as the 267th pope and bishop of Rome
Biography of Pope Leo XIV, born Robert Francis Prevost (8 May 2025)

he Secretary General of the Anglican Communion, the Rt Revd Anthony Poggo, has shared a message of encouragement on the election of Pope Leo XIV
A message of encouragement from the Secretary General on the election of Pope Leo XIV (8 May 2025)

March ~ 2001 ~ Anglican-Roman Catholic news & opinion

It’s time we listened – Fr. Edward Yarnold
31 March 2001 • Persistent link: iarccum.org/?p=981

One of the subtleties of Shakespeare’s As You Like It is the existence of layers of sexual ambiguity implied in its original performance: a boy-actor played the part of a young woman disguised as a young man who at one point is pretending to be a girl. I was put in mind of these layers of meaning when I read The Eucharist: sacrament of unity (ESU), the Church of England’s highly courteous and careful response to the British and Irish bishops’ 1998 teaching document on eucharistic doctrine and sharing entitled One Bread One Body (OBOB). There is of course one vitally important difference: whereas the play’s layers form the stages in a dialectic, i.e. an interactive process, of ambiguity, the theological document offers a dialectic of clarification, which provides a model of what is involved in ecumenical reception.